212 | 31, pp. 207-238 | doxa.comunicación

July-December of 2020

Study on the cinematographic image composition: frame, light, and colour as expressive elements...

ISSN: 1696-019X / e-ISSN: 2386-3978

2.2. Categories Analysed

Regarding the variables analysed –frame, colour, and lighting– it is necessary to describe them.

The frame shows the prevailing typology and, consequently, its expressive intention. It is made up of a total of 1,339. The figure and its duration differ in each of the works studied (cf. Exact data in the Results section). It is necessary to clarify that the selected works do not have the same length. Therefore, the study of this first variable is centred on the film’s scenes (determined by the Field paradigm2) as this ensures that the amount of time analysed is as similar as possible in each film. The frame classification is based on those set out by Salt (2006) and Brown (2008). Table (1) allows us to gather these authors’ typologies, a brief description, and its purpose.

Table 1

Type of frame

Extension/Description

Use/Value/Funcionality

Close-up

Extreme Close-up or bleeding

Image of his/her face: from his/her chin to their head.

-Expressive function.

-Increases drama.

Long

Image of his/her body: from the waist to his/her head

-Descriptive function.

Medium or bust

Image: upper part of his/her body

-Expressive function.

-Increases the drama

Medium or torso

Image: lower part of his/her body.

-Expressive function.

Extreme Close-up shot

Image: eyes and mouth

-Expressive function.

-Dramatic intentionality.

Foreshortening

Image: two characters, one with his/her back to us and the other facing us.

-Expressive function.

-Conversations and relationships between characters (point of view).

-The audience’s empathy (empathy with the character).

American Shot

Image: from his/her head to legs (3/4 part of his/her body)

-Narrative function.

Full Shot

Image: scene (a place where the action takes place), with or without characters (full body shot from afar)

-Descriptive function (contextualisation).

Medium Shot

Image: from the head until the waist.

-Expressive function, occasionally descrip-tive.

Close-up

Image: eyes and/or mouth of the character or another part of the body or an object with relevance in action.

-Expressive function.

Full shot

Image: two or more actors (shows full body).

-Descriptive function.

2 According to Field (1979: 15), a script has 120 pages, which equates to approximately two hours. In other words, each page of the script means a minute on the screen. If we take this into account,and based on its paradigm the first act would be the first half hour of the film, the second act until 90 minutes and the third act until the end of the film.