Elogio de lo in-útil: cuando lo inútil se vuelve necesario.

Abstract

The aesthetic concept of Kant, purpose without end, anticipated the decontextualization of the objects that modern art ironically elevated to the category of artistic elements in the museums and galleries. The process of the author is now the relevant fact in their production, shifting the interest in the finished product and focusing the attention to any intermediate, often unforeseen, production that integrates your particular creative universe. The architect in this process produces fragments of the in-utilidad not respond to parameters of strict functionality vitrubiana. Collect the special cases of authors/artists dedicated to collecting parts to generate art works using techniques away from conventions, where random and interpretations of the author and receiver introduce looks apart from the traditional logic within the paradigm of complexity contemporary. This now opens new paths in the creative process of the architecture. Openings into the unknown that underscore the need for recognition of objects and products apparently use-less in which its purpose is unknown, but which are catalysts for authentic processes of creative innovation.