372 | 27, 369-385 | doxa.comunicación

July-December of 2018

Redefining competences and professional profiles of the audiovisual communicator in the digital ecosystem

ISSN: 1696-019X / e-ISSN: 2386-3978

constantly introduce new skills based on the continuous and irreversible transformation of the environment, or whether it must bet on general and attitudinal skills that allow future professionals to adapt to changes.

In any case, the offer of Degrees in Audiovisual Communication has multiplied in Spain during recent years. According to the Spanish Registry of Universities, Centres and Qualifications (RUCT) of the Ministry of Education, Culture and Sport, 45 titles related to this professional field are being taught in the current academic year of 2018/19:

Table 1: Academic offer of degrees in the audiovisual field

Source: created by the authors from information available in the RUCT

TITLE

uNIVERSITY

No.

Degree in Audiovisual Communication

Universities of: Extremadura, Illes Balears, Mondragón, Anto-nio de Nebrija, Autónoma de Barcelona, Cardenal Herrera-CEU, Carlos III de Madrid, Católica San Antonio, Complutense de Madrid, A Coruña, Alcalá, Barcelona, Burgos, Granada, Málaga, Murcia, Navarra, Santiago de Compostela, Sevilla, Vic-Universi-dad Central de Catalunya, Vigo, País Vasco, Europea de Madrid, Europea del Atlántico, Europea Miguel de Cervantes, Fernando Pessoa-Canarias, Francisco de Vitoria, Internacional de Catalun-ya, Jaume I de Castellón, Miguel Hernández de Elche, Pompeu Fabra, Pontificia Comillas, Pontificia de Salamanca, Ramón Llull, Rey Juan Carlos, Rovira i Virgili, San Jorge, San Pablo-CEU, Valen-cia (Estudi General) y Politécnica de Valencia

40

Degree in Cinematography and Audiovisual Media

Barcelona

5

Degree in Cinematography and Audiovisual Arts

Rey Juan Carlos

Degree in Audiovisual Communication and Multimedia

Europea de Madrid

Degree in Communication and Audiovisual production

Salamanca

Degree in Audiovisual Media

Pompeu Fabra

Growth in the number of degrees and the resulting increase in the number of students and graduates seems to respond to the contemporary dynamics of the audiovisual environment at the international level: a process of reconversion is under way and is being accelerated by the impact of digital technology, the boom in video services on demand, the unprecedented increase in consumption, and at the same time, the change of habits and routines with regard to accessing leisure and entertainment.

In this sense, the European Union considers the audiovisual sector as a strategic area of key growth for economic, social and cultural development, and since 1991 has maintained the MEDIA program –in 2014 it became a subprogram of Creative Europe– for the purpose of promoting the audiovisual industry of member countries (Creative Europe, 2018).