112 | nº 27, pp. 99-120 | doxa.comunicación
julio-diciembre de 2018
ISSN: 1696-019X / e-ISSN: 2386-3978
Examples of pieces
http://especiales.semana.com/especiales/proyectovictimas/cronologia/index2.html
http://www.eltiempo.com/archivo/documento/MAM-1298829
http://www.eltiempo.com/archivo/documento/MAM-1344168
http://www.eltiempo.com/archivo/documento/CMS-4365370
https://www.elespectador.com/noticias/paz/articulo-asi-fue-el-secuestro-de-ingrid-betancourt
https://www.lanacion.com.ar/1026706-rescataron-a-ingrid-betancourt
https://elpais.com/internacional/2008/07/02/actualidad/1214949625_850215.html
http://news.bbc.co.uk/hi/spanish/latin_america/newsid_7486000/7486564.stm
Pieces
25
General total
87
Sourced: Created by the author
3.3. Matrix
This seeks to find striking features in the communicative products of each period locating in them:
Emotional displays (alterations in character, laughter, crying, voices between cuts).
Handling of elements in pieces using morbidity (use of men’s and women’s bodies, death, sex, the bizarre, the occult).
Creation of suspense to show a fact.
Use of language (words and expressions with a certain intensity and their functioning in a situation and at a particular time).
4. Presentation of Results
The description and analysis of the findings obtained in the study of the selected sample of Colombian media about iconic events from the internal conflict in the seventy year period, is divided into three periods, 40’s and 50’s, 60’s, 70’s, 80’s and 90’s, and the 21st century, which allowed the hypothesis to be validated, regardless of the technology available at any time, the use of the spectacularity factor has been increasing due to its effectiveness.